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Friday, October 16, 2026
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Dance Luminary Matthew Ball on Demanding Parts and Online Scrutiny: 'I Don't Feel Protective About My Body'

In the quiet ambiance of a hotel bar near London's Royal Ballet, Matthew Ball orders a mint tea. The dancer's posture is naturally straight-backed, his limbs defined beneath a plain tee. On stage, dancers can seem as mighty gods, yet often offstage they are petite. Not so Ball, whose height is one reason for his popularity for princely characters and partnering. Possessing fine traits and intense eyes, there's a touch of a brooding actor about him.

An Apparent Rise to the Top

Now 31, Ball is enjoying the peak of a career that has advanced seamlessly. Raised in Liverpool, he faced minimal ridicule for his childhood passion in ballet. Joining the esteemed training institution at 11, he graduated directly into the company and was promoted annually, attaining the top rank of principal in 2018. He has loved taking on substantial dramatic roles, particularly the psychological turmoil found in a famed choreographer's ballets.

"Your lungs are burning, your legs get heavy, but it’s really a mental fatigue."

Ball's upcoming featured appearance is as himself, in an "Evening With" event aiming to offer intimate insights into a performer's art. He will walk the audience through a part, demonstrating his cognitive process during performance. Yet in lighter works, the challenge is profound. "Don Quixote is one of the toughest technically," he notes.

The Psychological Struggle and Post-Performance Emotions

What about following a show, when he has pulled it off? "It feels pretty good," he admits. "However because I'm trying to extract all the juice out of it, and get immersed in the role, quite often I do feel self-conscious afterwards. Following an intense role I'm always like: Wow, what must people think?"

In person, Ball is reflective, mild-mannered, and quick to laugh at himself. But a dance maker once observed on a "kind of suffering in him." Does this exist? "I am very active usually, but I do have a melancholy streak," he confesses. "I kind of enjoy pessimism sometimes. I've always felt that doubt has been an catalyst for good change."

Early Motivations and Artistic Inspirations

Ball's determination stemmed from early experiences. Not excelling in contests at school made him "driven!" This became fuel to demonstrate he could achieve. Reading the book *Mao's Last Dancer* was a "watershed" moment. "It changed everything, it made me go a bit fanatical," he recalls.

The next endeavor is creating his own choreography. For Ball, "organic movement has value." "Breaking the rules is interesting, but just acting that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be loaded with meaning, drawing inspiration from literature, compositions, and painting.

Intimate Performance and Personal Partnership

He also favors presenting dance in smaller venues. "It was just really thrilling," he says of a previous experience. "You’re so close to the audience. I felt as if they were thinking: 'That’s a person, and they’re perspiring.'"

Ball has made pieces with his girlfriend, fellow lead dancer Mayara Magri. The level of trust between them is clear. "We first practiced on a beach," he says of a daring lift. "It resembled Dirty Dancing." The couple are not usually paired on stage at their home company, which is perhaps healthy. "We’re both quite strong-willed people, so it’s not always smooth sailing," he admits. "Yet I feel like we’re each other’s biggest supporter."

Regarding Instagram and Bodily Image

On Instagram, fans can see clips from his projects and photos that highlight a athletic physique. Does he mind that the engagement can be a bit focused on appearance? Not particularly. "The body is just what we use, so I don’t feel very protective about it," he explains. He compares it to viewing Michelangelo’s David—an object that can be interpreted on multiple ways.

Ball describes his younger self as "eager for success." Has it met his hopes? "I feel very aware of how reality is a separate thing to the aspirations you made as a young person," he muses. He likely has about decade of performing left. "I suppose in the future, I want to be a bit more gentle with myself."

By

Jonathan Graves

Elara Vance is a seasoned travel writer and luxury lifestyle expert, with over a decade of experience covering exclusive destinations and high-end trends across Europe.

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